Results for Category: Faces

186 results found.
New Sultan of Oman Upholds Old Policies

However, the Royal Family Council decided to respect the sultan’s will, which named his cousin Haitham as his chosen successor. Article 4 of the White Book states: ‘The system of governance is Sultani, hereditary in the male descendants of Sayyid Turki bin Said bin Sultan, provided that whomever is to be chosen from among them as successor shall be a Muslim, mature, rational and the legitimate son of Omani Muslim parents.’

Omar Barghouti: Peaceful Resistance through Boycott of Israel

Omar Barghouti was greatly inspired by Nelson Mandela’s approach to mobilizing the nations of the world against the apartheid regime in South Africa. This approach was introduced in Palestine after the failure of the Camp David II peace negotiations in July 2000 and the outbreak of the second intifada (uprising) in September 2000 in the West Bank and Gaza Strip, followed by a major Israeli military operation in the West Bank in 2002.

Lebanese Actor and Theatre Director Hisham Jaber: Betting on the Audience for Artistic Success

Jaber concluded, “I think the most important achievement of the Metro was that it gave hope that something good can be done and that real art can be presented, which has brought life back to art in Lebanon and allowed theatres to compete with cinemas. We dreamed of creating an oasis in a city full of problems, exploiting the margins of freedom that the city has. This is in addition to restoring to the art makers their confidence in the audience and allowing them to take chances and produce art based on revenues. This audience will find its way to true art in a scene that is full of many other colours.”

For Omar Khairat, Music is a Universal Language

Many critics consider Omar Khairat to be the best artist in terms of creating soundtracks used in dramatic works and movies. He is the author of some of the most famous soundtracks in the history of Egyptian art, such as the drama series “The Miserly,” “Me,” “Second Meeting,” and “Conscience of Halfwit,” in addition to the movies “The Terrorist” and “Execution of Dead Person,” among others. On this point, Khairat said, “I adapt music to allow it to speak in its own language about the scene and the imagery, so the musical rhythms are the key audio or acoustic elements of the story, situation or subject of the work of art.

Nai Barghouti: A Young Woman’s Quest for a New Voice in Middle Eastern Music

I find that the influence of Middle Eastern sounds on jazz is never discussed, but it exists. Now, I’m not trying just to mix the two together. I’m working on creating a third sound that harmonizes the two sounds from their roots instead of forcing them together [superficially]. Other people are doing it, like Ibrahim Maalouf and Ziad Rahbani, but I’m more interested in the voice itself as an instrument, to see how much the voice can make music instead of just being used for storytelling. But it takes a lot of time. My father calls it “Nainstrumenting,” from my name.